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James Bond Adventure. A space shuttle is stolen enroute to London and M sends 007 out to apologize to the shuttle creator - billionaire Hugo Drax. While visiting Drax's estate several attempts are made on Bond's life, making Drax himself the number one suspect. Bond also meets Dr. Holly Goodhead, a NASA scientist who is also a CIA agent investigating Drax. Their investigations lead Bond to discover a plot to murder the world's population so that Drax can repopulate the planet in his image. The chase takes Bond all over the world - California, Brazil, the Amazon Jungle and, finally, to Drax's huge space-city over the Earth. Drax, meanwhile, has hired a old friend of Bond to take care of any problems - the steel-toothed killer Jaws……
James Bond is back for another mission and this time, he is blasting off into space. A spaceship traveling through space is mysteriously hi-jacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organisation, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again.
This review may contain spoliers.<br/><br/>Roger Moore makes his fourth appearance as James Bond in this big-budget adventure. He seems to have settled into the role by now and the actor exudes confidence. Although Moonraker is often degraded for being overly fatuous, it is a highly entertaining adventure that epitomises Moore&#39;s light-hearted portrayal of Bond.<br/><br/>The opening sequence is very shrewd and is only spolied at the close by the inappropriate comical actions of Jaws. Maurice Binder fails to produce an innovative title sequence and this one looks dated and two-dimensional. John Barry&#39;s musical scores are below par and they fail to augment the drama of the film.<br/><br/>The plot is credible even though I am nonplussed at why Bond immediately thought that Drax was responsible for the hijack of the shuttle after he received his mission briefing. Drax&#39;s apocalyptic plot should present Bond with his toughest challenge yet, but the movie fails to exploit this and therefore the drama is often flat. The locations are impressive and Bond spends a lot of time travelling from the US to Venice and then onto Rio de Janeiro before he heads into the Brazilian jungle and then into space. You can&#39;t help but feel that 007 should stay in one place for longer.<br/><br/>The tone of this review is somewhat disparaging but the movie does have its high points. Q&#39;s wrist-dart-gun proves to be useful to 007 and Lois Chiles is very effective as Bond&#39;s sidekick, even if 007 does go out of his way to be cringingly chauvinistic at times. Didn&#39;t he learn anything from Major Amasova in the previous offering? Most of the action takes place on terra firma and therefore learns from the mistakes of Thunderball.<br/><br/>After a stuttering start, the Moore mobile was in cruise mode for this film and it would continue to be for several films to come. Moonraker shows THE James Bond in action. Enjoy!
This was the first Bond movie I ever saw, and it&#39;s still one of my favorites. It&#39;s the only one that really took a few steps into science fiction territory, and Richard Kiel as Jaws does an excellent job. Even though I don&#39;t feel this is Roger Moore&#39;s best movie as Bond (my vote goes to A View to a Kill), he does good nonetheless.<br/><br/>As a side note, the laser guns used by the Marines in the film&#39;s denouement were later featured in the Goldeneye video game. I remember them there for being fast, powerful, and with unlimited ammo.<br/><br/>Well, this movie has girls, gadgets, and guns; what else could you ask for in a 007 film? Watch it.
The visual effects, stuntwork and other technical contributions all work together expertly to make the most preposterous notions believable. And Roger Moore, though still compared to Sean Connery, clearly has adapted the James Bond character to himself and serves well as the wise-cracking, incredibly daring and irresistible hero.
When the space shuttle Moonraker is hijacked in midair while being transported to the United Kingdom, MI6 director M (<a href="/name/nm0496866/">Bernard Lee</a>) assigns his best agent 007 James Bond (<a href="/name/nm0000549/">Roger Moore</a>), to investigate, starting with the shuttle&#39;s creator Drax Industries, headed by billionaire Hugo Drax (<a href="/name/nm0003909/">Michael Lonsdale</a>). Aided by NASA astronaut/scientist and CIA agent Dr Holly Goodhead (<a href="/name/nm0001042/">Lois Chiles</a>), they uncover a genocidal plot to destroy the Earth&#39;s population and repopulate it with selected couples currently being housed in an undetectable space-city hovering over the Earth. All of the James Bond movies are based, in some part, upon novels by British author Ian Fleming [1908-1964]. Moonraker is based on Fleming&#39;s 1955 novel of the same title. It was adapted for the screen by English screenwriter Christopher Wood. Wood, in turn, novelized the movie in James Bond and Moonraker, published the same year in which the movie was released (1979). Moonraker is the eleventh film in the EON Bond franchise and the fourth movie to feature <a href="/name/nm0000549/">Roger Moore</a> as James Bond, 007. Moonraker is sung by Welsh singer Shirley Bassey, who is the only performer to date that has done more than one Bond theme. She also did the themes for Goldfinger and Diamonds are Forever. Bond starts out on an airplane returning to London from Africa, where he was just finishing the last leg of another mission. He is then sent to California in order to talk with Hugo Drax, the builder of the Moonraker that was hijacked in midair. There he meets Dr Holly Goodhead for the first ime. When Bond learns that some of the parts for Drax&#39;s Moonrakers are being made at the Venni Glassworks in Italy, he flies to Venice where he encounters Holly Goodhead again. Bond figures out that Holly is a CIA operative, and they decide to work together. They learn that Drax is moving his operation to Brazil, so they fly to Rio. After Bond discovers Drax&#39;s base in the Amazon jungle, he and Holly commandeer a Moonraker and end up in outer space. Drax is playing Raindrop Prelude, opus 28, number 15 in D flat Major, composed by Frédéric Chopin. In the DVD commentary, it says that the effect was created with high-pressure air jets through a thin nozzle on a tube held off camera by Roger Moore himself. Moore suffered bruising to his cheeks afterwards.As he explains to Bond, one of the six Moonrakers that were needed for him to complete his mission developed a fault during its assembly. He needed to get back the one that was on the way to England because he was breaking down his operation on Earth and didn&#39;t have time to fix the ship that developed the fault or build another Moonraker. According to a commercial raiser of snakes, it&#39;s a reticulated python, native to Africa. It&#39;s the theme song from <a href="/title/tt0054047/">The Magnificent Seven (1960)</a> (1960). During his fight with behind the glass-faced clock, Bond spots some large crates with the Drax Industries logo and Rio de Jainero stenciled on them. One of the crates is partially broken open and Bond spots one of the globes he saw in the laboratory inside it. Bond and Holly knock out the pilots for the sixth Moonraker and take their place. Flying on a preset course, they eventually rendezvous with the other Moonrakers at a radar-cloaked space station where Drax has assembled numerous pairs of perfect people whom he intends to use to restart the human race. Bond and Holly disable the radar jammer in order to make the station visible from earth. The U.S. subsequently sends a military shuttle to investigate. Meanwhile, Drax has launched the first three of 50 globes carrying the deadly nerve toxin to earth in his attempt to wipe out the imperfect human race. A laser battle in space takes place when the military shuttle arrives, and Bond manages to eject Drax into space after shooting him with a cyanide-tipped dart. The space station begins to break up, so Bond and Holly attempt to get away in Drax&#39;s personal Moonraker, but they can&#39;t get the release work. Jaws (<a href="/name/nm0001423/">Richard Kiel</a>), having been convinced to turn sides when Bond points out that Drax won&#39;t allow him and Dolly (<a href="/name/nm0712255/">Blanche Ravalec</a>) to live in his perfect world, agrees to help and frees the Moonraker. As the space station begins to disintegrate around Jaws and Dolly, their module also detaches from the station; they go floating into space just before the space station explodes. Bond and Holly track down the three globes and destroy them. In the final scene, M has gotten visual contact with Bond&#39;s Moonraker. Bond and Holly are seen floating in space with only a sheet to cover their naked bodies. &quot;I think he&#39;s attempting re-entry,&quot; says Q. Bond flicks off the camera, and Holly asks him to &quot;take [her] around the world one more time.&quot; After Bond destroys the last globe, a Houston controller states that the American shuttle rescued two survivors &quot;a tall man and a short, blonde woman&quot;, indicating that Jaws and Dolly did indeed survive. Bond comes across Drax when M has Bond expose him as a card cheat. Drax has a red beard that covers scarring on his face. The Moonraker is a missile instead of a space shuttle. Jaws and Chang aren&#39;t in the book. Dr.Holly Goodhead is instead a Scotland Yard agent named Galatea &quot;Gala&quot; Brand. Drax turns out to be a Nazi named Graf Hugo von der Drache and the Moonraker is secretly aimed to hit London. Drache captures James and Gala and plans to cook them with the Moonraker&#39;s rockets. They escape and James changes the gyros then he and Gala hide in the shower turned on full blast. Drache escapes in a Russian submarine but a reprogrammed Moonraker blows him out of the water. Bond and Gala are exiled to France until the event blows over but Gala reveals to Bond that she&#39;s engaged to marry another man. Including Moonraker, Moore made seven movies in which he played James Bond: <a href="/title/tt0070328/">Live and Let Die (1973)</a> (1973), <a href="/title/tt0071807/">The Man with the Golden Gun (1974)</a> (1974), <a href="/title/tt0076752/">The Spy Who Loved Me (1977)</a> (1977), Moonraker (1979), <a href="/title/tt0082398/">For Your Eyes Only (1981)</a> (1981), <a href="/title/tt0086034/">Octopussy (1983)</a> (1983), and <a href="/title/tt0090264/">A View to a Kill (1985)</a> (1985).
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